Flesh and Sand
《肉與沙》

Alejandro González I?árritu has established himself as one of the great technicians of contemporary cinema, so it makes sense he would be the first mainstream director to turn to virtual reality. Developed over four years, Carne y Arena (Flesh and Sand) is a six-minute 360-degree installation designed for solo viewing that follows a group of migrants from Mexico into the US and shows, with visceral "you-are-there" flourish, the hardships these immigrants endure even without Donald Trump's border wall in place. It's the first VR work to appear at Cannes.
亞利桑德羅?岡薩雷斯?伊納里圖已經(jīng)是當(dāng)代電影界最優(yōu)秀的電影技師之一，所以他成為第一位涉足虛擬現(xiàn)實的主流導(dǎo)演也是合情合理?！度馀c沙》制作歷時4年，片長6分鐘。片中360度全立體的畫面可供單獨觀看。影片講述了一群墨西哥移民進(jìn)入美國的故事，用寫實的內(nèi)心戲展示了這些移民所忍受的艱辛，而這還是在特朗普提議的邊境墻沒有建成的情況下?！度馀c沙》是第一部亮相戛納電影節(jié)的虛擬現(xiàn)實影片。